Erstellung eines chinesischen Architekturposters

Please create each travel photo I upload as its own individual high-end design poster, without stitching multiple images together. Each photo is output separately. Use a 3:4 vertical composition overall, with a warm ivory natural rice paper as the background. The image must simultaneously retain the clearly visible original photo and a stylized hand-drawn rendering, creating a contrast between real photography and classical painting - but the split does not have to be exactly 50/50 top and bottom; the ratio can be adjusted naturally based on the photo's structure. The upper portion, about 40% - 45% of the image, faithfully preserves the original photo. Accurately maintain the architecture, bridges, pavilions, boats, trees, waterfront, and their quantities, positions, proportions, and spatial relationships. Apply only restrained artistic treatment and extremely subtle grain. Do not redraw, stretch, distort, or replace the subject of the upper photo. The outer 55% - 60% features a clearly outlined circular round-fan painting core set within a large area of blank paper. Only the circular painted area is generated here - no fan handle, tassels, or product-style staged display. Extract the most recognizable architectural structures from the photo and rebuild them using the Chinese jiehua (boundary painting) method. Use fine, precise, ruled ink lines to express column grids, roof ridges, dougong brackets, railings, bridge openings, courtyard walls, and door/window relationships. The architectural structure is the visual focus; trees, rocks, and water surfaces serve only as restrained accents, and buildings should not be covered by vegetation. Simplify repetitive objects and cluttered environments from the photo, organizing rooftops, boat canopies, bridge oars, or waterside buildings into clear, rhythmic structural relationships. Use light ink, azurite gray, malachite green, ochre, and very small amounts of cinnabar, preserving the muted, matte texture of mineral pigments on paper. The circular painting core should also contain appropriate negative space - water surfaces, sky, and distant views can be represented simply by unused paper. Apply a small amount of readable English typography in the blank space around the circular core: extract a 2-4 word English title from the photo's location or subject, and add a numbering and one short observation sentence. Use a refined, wide-tracked serif font or small caps throughout - the text must be accurate. Overall temperament references ancient jiehua painting, architectural surveying, round-fan painting, and modern art publications - rigorous, quiet, restrained, refined, and collectible in feel. Avoid: fake Chinese characters, calligraphy, seals, classical poetry, author signatures, physical fans, fan handles, scroll wooden rods, picture frames, wall mockups, fictional palaces, extra figures, cranes, fantasy architecture, full-canvas antique painting, photographic filter-style rendering, blurred architectural boundaries, and cheap cultural-product commercial feel.