Carved Wood Memory Relief Poster Prompt

Please turn each travel photo I upload into an independent 3:4 vertical editorial poster, output each photo separately, no multi-image collage. Top half keeps the original photo, occupying about 50% of the frame. Accurately preserve the building identity, structural relationships, viewing angle, real materials, natural lighting, and original color atmosphere. Only apply light advanced photographic color grading and very thin film grain. The top half must still be a clearly recognizable real photo, not illustrated, redrawn, moved, distorted, mirrored, or replaced. Bottom half extracts the most distinctive architectural silhouettes, rooflines, steps, bridges, water surfaces, rocks, or road relationships from the same photo, reconstructed as a handcrafted wooden memory relief. Do not overlay a wood-texture filter on the original photo, and do not make it a smooth plastic 3D model. Use oak, beech, light walnut, and a few colored wood pieces to simulate real softwood carving, stacked wood pieces, and shallow bas-relief. Use different thicknesses of wood pieces to reorganize different elements, showing rounded chisel edges, visible wood grain, seams, nail holes, thin wood strips, slight misalignment, chisel marks, local chipped edges, and natural workshop short shadows. The bottom half uses a solid structured composition, not a full copy of the original photo's framing. Keep only 2 to 4 most important architectural structures and a few supporting spatial relationships, compressing the subject into a compact wooden keepsake. The environment can be summarized as three to five layers of arcs, polylines, or stepped wood pieces. The model occupies about 50% to 65% of the bottom half, leaving at least 35% continuous warm ivory paper whitespace around it, especially a quiet area for text. Colors are mainly natural wood tones, including light yellow oak, warm brown beech, light walnut, and dark wood. Extract no more than three low-saturation accent colors from the original photo for roofs, walls, clothing, water surfaces, or architectural decoration. Do not use rainbow wood pieces, glossy lacquer, high-saturation colors, or a uniform fixed palette. Add a small amount of readable editorial text in the bottom whitespace: Main title: "[1-3 English word title]" Material field: "[Location or theme] / CARVED STUDY [number]" Observation sentence: "[A short sentence describing a real visible structure, action, or spatial relationship in the photo]" The text should look like letterpress, branding, woodblock type, or hand-set type, becoming part of the paper or wood. Use narrow serif or engraved humanist sans-serif, dark wood color, few and clear words. Do not generate author names, signatures, logos, URLs, QR codes, fictional dates, fictional coordinates, fake Chinese, gibberish, or watermarks. Overall vibe: hand-carved wood relief, stacked wood pieces, tactile memory object, carved travel keepsake, shallow bas-relief, visible wood grain, rounded chisel edges, handmade joinery, warm ivory paper, quiet editorial composition, museum craft object, restrained Chinese architectural memory. Avoid: wood-texture photo filter, smooth CGI, plastic toy, glossy lacquer, thick solid wooden slab, full scenic diorama, dense miniature details, complete background rendering, invented architecture, changed source photo, same-crop redraw, missing original photo, fake text, author name, logo, watermark, extra people, excessive shadows, edge-to-edge composition.